Photo © Henri Cartier-Bresson-All Rights Reserved
The Museum of Modern Art in New York City is showing Henri Cartier-Bresson: The Modern Century" this coming Sunday April 11, 2010, and the exhibition's website is truly a delight.

Henri Cartier-Bresson began traveling in 1930, at the age of twenty-two. For nearly half a century he was on the road most of the time, and the geographical range of his work is notoriously wide. Photographs of Asia (many of which are of China), North America, Japan, Africa, Europe, USSR, Middle East are shown arranged in themes, or chronology.

The New York Times has a review of the exhibition by Holland Cotter who, in the article titled A Photographer Whose Beat Was the World, writes this rather flowery sentence:

"The third and crucial constant in his career was, of course, a camera: in Cartier-Bresson’s case, a hand-held Leica, as neat and sleek as a pistol. Whether he was traveling as a journalistic eye for hire or sauntering through Paris of an afternoon, the camera went too."

I find it impossible to decide which is my favorite Henri Cartier-Bresson's photograph, but the one above of these Indian women in Srinagar (Kashmir) photographed in 1948 has always impressed me. Is it because none of their faces are visible, or is it because one of them appears as if she's holding a couple of clouds in her outstretched hands? It's described as Muslim women on the slopes of Hari Parbat hill as they pray while the sun rises behind the Himalayas, and was taken during a period of terrible violence in Srinagar. Magnificent.

Update: The New Yorker Magazine has an article/review on the retrospective at the MoMA.

From the article/review, I learned that the French title of HCB's best-known book, “The Decisive Moment, was “Images à la Sauvette”, which means “images on the fly". The French title implies something done somewhat furtively, and has much less gravitas than the English title.

Photo © Tom Wool-All Rights Reserved
The Rubin Museum of Art in New York City is showing the photographs of Tom Wool in an exhibition In The Shadow of Everest, which runs until July 26, 2010.

Coming from a fashion photography background, Tom Wool has devoted himself to work for humanitarian organizations. Using a medium format Hasselblad, he photographed Tibet's Rongbuk Valley and its inhabitants in May 2001.

The valley stretches about 30 miles from the base of Mount Everest on the north side, and is home to some 3,000 Tibetans. It's considered sacred, with deep religious connotations to the Tibetans. The valley is home to the Rongbuk Monastery, the highest of any in the world at 17,000 feet above sea level.

I was privileged to teach a class titled Introduction To Multimedia for the third straight year at this year's Foundry Photojournalism Workshop which was held in Istanbul June20-26.

As a couple of my class attendees are in the process of shopping their projects to publishers, I'm unable to publish them until they're made public by their creators. However, I am able to show an image from each project along with a description.

The attendees were Brenda Bravo, Pierre Claquin, Yagmar Dolkun, Pedro Gomes, David Hagerman, Jeroen de Kluiver, and Roubina Margossian.

1. Brenda Bravo: Kadikoy Underground Puppetry

Photo © Brenda Bravo -All Rights Reserved
Brenda's project documented an underground puppetry group in Kadikoy, from applying their make-up to walking in the streets performing to crowds. Apart from recording ambient sound of the performances, and of the street, Brenda also narrated the piece which was titled Kadikoy's Underground Puppetry. Her subjects attended the final show wearing the same make-up they use during their walk-abouts in Kadikoy.

2. Pierre Claquin: Leaves of Tolerance

Photo © Pierre Claquin -All Rights Reserved
Pierre's project was titled Leaves of Tolerance, and documented Nick Merdeyan (the self described Lord of the Leaves) who, from a small store in Istanbul's Grand Bazaar, produced artistic masterpieces of Islamic calligraphy on leaves, dried according to a proprietary process, and sold all over the world. Merdeyan, an Armenian Turk, narrated the piece showing his Islamic, Christian and Judaic motifs using Qur'anic script, underlining the similarity of the three Abrahamic traditions.

3. Yagmar Dolkun: Live Broadcast

Photo © Yagmar Dolkun -All Rights Reserved
Yagmar's project was on CNN-Turk, which took us into the back room of the television station before going live with a sports program. Yagmar chose to produce the piece in black & white without any narration, leaving the images tell the story, and relying on a mesmerizing music loop. The project can be seen by clicking here.

4. Pedro Gomes: Esmeray

Photo © Pedro Gomes -All Rights Reserved
Pedro's project documented Esmeray, a transgendered actor, a sex worker, a feminist, a Kurd and a home-keeper. Inspired by the NY Times' series One In 8 Million, Pedro interviewed Esmeray, and followed her through the day. He photographed during her theater perfromances, at a feminist meeting and later on at her home. Pedro's wife, Asli Maci, provided the excellent voice-over narration.

5. David Hagerman: The Ferry Boats of Istanbul

Photo © David Hagerman -All Rights Reserved
David chose to document the ferry boats of Istanbul as a symbol of this city. The ferries are part of the daily life for many Istanbullu, and beyond providing a commute alternative, also provide an escape from the daily tribulations of the city. A travelogue of sorts, David used ambient sound recorded on the ferries, the sound of their motors, the din of the passengers and a couple of short interviews.... one with a young man who claimed that "girls are like grains of sand".

6. Jeroen de Kluiver: The Alevi

Photo © Jeroen de Kluiver -All Rights Reserved
Jeroen documented the Alevi in black & white project. The Alevi are a religious sub-ethnic and cultural community in Turkey. Its tradition is related to Shi'a Islam and Bektasi Sufism, and its worship takes place in assembly houses rather than mosques. Jeroen photographed and recorded a ceremony known as cem, which features music and dance and during which both women and men participate.


7. Roubina Margossian: Symbolism In Religious Tradition

Photo © Roubina Margossian -All Rights Reserved
Roubina is one of the recipients of a scholarship to attend the Foundry Photojournalism Workshop. She produced an audio slideshow titled Symbolism in Religious Tradition, focusing on a religious service in an Armenian church. Narrated by Father John of the church, Roubina's fondness for photographs of reflections is evident in the project!

One Day on Earth Participant Trailer from One Day On Earth on Vimeo.

On October 10th, 2010, thousands of people from every nation around the world will film their perspective and contribute their voice to one of the largest participatory media events in history. The event will result in a feature documentary and online video archive that will showcase the diversity, conflict, tragedy, and triumph that can occur in one day on earth.

The more people are involved, the more accurate and comprehensive a record of the planet that is created....so check it on One Day On Earth

I'm immensely gratified that since inception in mid-January 2007, The Travel Photographer blog has now received a total of 1,000,000 visitors!

What originally started as a lark has taken a life of its own, and The Travel Photographer blog seems to have its comfy little place place amongst other photography blogs. A million visitors is a drop in the ocean for blog behemoths, but for this one-man blog, it's enormous.

I sometimes hesitate in calling it a blog, because in reality it's more of a compilation of photo-essays, galleries (my own but mainly by others), multimedia, occasional geo-political rants and diatribes (some serious others downright silly), opinions (some ridiculous and others touching a nerve or two) and whatever else took my fancy.

However, nothing is more gratifying that getting emails from photographers expressing appreciation for being featured on The Travel Photographer....and responding as best I can to requests for advice and guidance virtually every day.

I hope the best is yet to come as Sinatra and Bennett told us....but in the meantime, I've got to run...I can hear my blog yelling "Feed Me!".

Photo © Ashley Gilbertson-All Rights Reserved
The announcement that the VII Photo Agency launched VII The Magazine has already been reported and blogged about for a few days already. The magazine is a syndicated online publication with photo stories and interviews with VII photographers.

The beta version of VII The Magazine is presented in the Herald Scotland newspaper, and in Lens Culture.

The first issue of the magazine features multimedia slideshows of projects by several VII photographers, as well as interviews with Jessica Dimmock and Ashley Gilbertson about their projects featured on the site.

I was particularly interested in Ashley Gilbertson's interview, and struck by one of his statements:

"If you show me one more picture of a soldier kicking in a door, I'm going to blow my head off."

I sense Ashley speaks for, not only war photographers, but for many of the sentient public who's been subjected to repetitive and unimaginative visual (and intellectual) presentations of the wars in Iraq and Afghanistan, and who's had (if they're anything like me) enough of the same stereotypical coverage which passes for cutting edge reporting in our media. I call it the stagnation of war photography...the same scenes over and over, perhaps from different angles...and with no back story. In fact, if I didn't read the captions beneath these images, I wouldn't be able to tell if it was in Iraq or in Afghanistan...or whether they'd been made yesterday or a year ago. Stagnation.

Ashley's powerful and poignant photo essay The Shrine Down The Hall, which shows some of the empty bedrooms of the over 5000 U.S. military personnel killed in the wars of Iraq and Afghanistan, rammed home the horrors of war much more effectively than seeing (and hearing) yet another photo essay by a gung-ho war photographer following US soldiers in an Afghani village, rounding up "Taliban" members (or whatever the caption writer decides they are), covering their heads with potato sacks while pointing guns at terrified women.

We need to see more work like Ashley Gilbertson's and much less of the kicking of Afghan or Iraqi doors....please.

The Foundry Photo~Journalism Workshop 2010 is in Istanbul, and if your dream is to be coached by some of the best photographers and photojournalists available, do it now!

The roster of instructors reads like a Who's Who in the world of photojournalism: Tyler Hicks, Lynsey Addario, Jared Moosy, David Bathgate, Jon Vidar, Anastasia Taylor-Lind, Rena Effendi, Ron Haviv, Andrea Bruce, Ami Vitale, Kael Alford, Adriana Zehbrauskas, Henrik Kastenskov, Stephanie Sinclair, Guy Calaf and Tewfic El-Sawy.

The courses currently offered are FROM VISION TO LIFE: Documenting social issues outside the mediaʼs agenda setting; Transitioning to the new world of Photojournalism; Formulating a Photo Essay; Photographing stories; Intimacy and Empathy in Storytelling; Capturing Cultures – Communicating Without Boundaries; The Essential Guide to Backpack Journalism; Introduction to Multimedia Storytelling, and many more.

Here's another thing...photographers like Dhiraj Singh who attended a class at the 2009 Foundry Photojournalism Workshop in India was awarded Honorable Mention (Feature Audio Slideshow) in the National Press Photographers Association's Best of Photojournalism 2010 for an audio slideshow made during that workshop.

Yes, dreams come true when you attend the Foundry...so get on it! There are still a handful of places available.

liveBooks recently got an update about the impressive lineup of instructors for this year’s Foundry Photojournalism Workshop happening from June 20-26 in Istanbul, Turkey.

Some of them spoke to Miki Johnson of livebooks' RESOLVE blog.

Ron Haviv's favorite aspect of the Foundry Photojournalism Workshop is "Watching the growth of the students in such a short period of time".

Ami Vitale's is "Watching students grow in the short span of the workshop is incredible".

And mine is "the mutual camaraderie and unfettered sharing of knowledge, information, and support between instructors and students/attendees".

Read the rest on RESOLVE.

Photo © David Storey-All Rights Reserved
Photo © Brenda Bravo -All Rights Reserved
I thought I'd post these two photographs of the Foundry Photojournalism Workshop for posterity. The top photograph is of the instructors, assistants and staff who all donated their time, talent and knowledge to make Istanbul such a success. (I'm in the back as usual).

The bottom photograph is of some of the instructors, staff and students during the final beer bash at Kadikoy's Zurich beer bar. This was probably at around 1:00 am on Sunday June 27, if I'm not mistaken. (I'm sitting in the front center, for a change).

Photo © REUTERS/Alessandro Bianchi-All Rights Reserved
The Boston Globe's The Big Picture features photographs of the Holy Week, which starts on Good Friday, when Christians observe Jesus' crucifixion. Holy Week commemorates the last week of Jesus' life.

Many of the photographs show what Christian penitents do to commemorate the crucifixion, either by reenacting it or be causing bodily harm to themselves. It reminds me of the Muslim Shi'as self flagellation during the day of Ashura, in mourning of Hussein ibn Ali's death, which is equally gruesome.

In the above photograph, the caption reads:

"The blood-covered leg of a penitent, resting on a bloodied step during a procession through the streets in the town of Verbicaro, southern Italy on April 2, 2010. The penitents, called "battenti", or beaters, hit their legs with a "cardillo" (a cork with attached pieces of glass) and walk, bleeding, in groups of three through the streets, stopping in front of all the churches and chapels in the town. The tradition began in the thirteenth century and serves as penitence for Christ's death."

Penitence for Christ's death? The mind boggles.

Photo © Jonathan Maher-All Rights Reserved
It's not often that I feature European travel photography, so I thought I'd break the mold today by featuring the work of Jonathan Maher on Venice and its Carnival.

I've not been to Venice during Carnival yet, but know a number of photographers who've been and returned with splendid work. I visited Venice a few years ago, ill prepared for its acqua alta season, and still recall walking in soggy shoes.

Jonathan Maher is an English travel photographer currently based in Italy. His work is principally based around travel and documentary projects and themes. His biography describes his style as being "reductive" or narrowing the frame down to the critical and essential components.

Aside his work in Venice, Jonathan has travel galleries of Namibia, India, France, Italy and Asia.

"this year 195,000,000 children will suffer from malnutrition"

and so starts “Starved for Attention” the extremely well produced multimedia campaign by Doctors Without Borders/Médecins Sans Frontières (MSF) and VII Photo which exposes the neglected and largely invisible crisis of childhood malnutrition.

The campaign aims to present a series of multimedia documentaries of still photography and video from the well-known photojournalists at the VII Agency, such as Marcus Bleasdale, Jessica Dimmock, Ron Haviv, Antonin Kratochvil, Franco Pagetti, Stephanie Sinclair, and John Stanmeyer.

The first multimedia reportage is titled Frustration and is by Marcus Bleasdale, who narrates it out of Djibouti.

Bookmark this website, since the remaining reportages will be featured over the course of the coming months.

For more background on the project, JournalismNow features an interview with Ron Haviv, which touches on his work in Bangladesh for Starved For Attention.

Photo © Anamitra Chakladar-All Rights Reserved
Photo © Anamitra Chakladar-All Rights Reserved
Well, what is there to say except that I had a blast! The Foundry Photojournalism Workshop has ended with a marathon session to show the work completed by some 130-odd photographers who joined it. It was a visual overload of photographs and multimedia projects, and was followed by the customary beer bash at a nearby bar.

My Introduction To Multimedia class was attended by a cross-section of the nationalities represented at the Workshop, and I was extremely pleased to work with Brenda Bravo, Pierre Claquin, Yagmar Dolkun, David Hagerman, Pedro Gomes, Jeroen de Kluiver and Roubina Margossian. The class also benefited enormously from Anamitra Chakladar's expertise in audio editing and multimedia. He patiently fine tuned some of the class's audio tracks...thank you, Anamitra!! The class's output ranged from black & white documentary work to travel and cultural projects.

There's no other way to describe it, but the success of the Foundry Photojournalism Workshop -whilst based on the unstinting generosity of the instructors and its staff- is due to Eric Beecroft's vision, tenacity, enthusiasm and his being just Eric.

Next year? South America...perhaps Argentina, perhaps Brazil. Incha'allah.

The top photo was made during my presenting a couple of personal projects at the start of the Workshop, while the bottom photo was during a class with Yagmar and Brenda looking on.

What more is there to say?

Photo © Deepak Sharma/AP-All Rights Reserved
The WSJ's Photo Journal has featured the above photograph by Deepak Sharma (AP) of Pakistani pilgrims carrying an offering of embroidered cloth (which I believe is called kiswa) to cover the tomb of Sufi saint Khawaja Moinuddin Chisti on the anniversary of his birth in Ajmer, India.

I should have been there!!! My kind of event!

Shaikh Khawaja Syed Muhammad Moinuddin Chisti was the most famous Sufi saint of the Chishti Order of the Indian Subcontinent. He introduced and established the order in South Asia, and was succeeded by various notable saints such as Nizzam Uddin Auliya.

I've never checked on this, but Khawaja in Egyptian Arabic means "foreigner", and was used as a title for all Greek and Italian residents (as an example) in Egypt, so I'm not sure if there's a connection or not. Wikipedia defines Khawaja as a title used by South Asians, which is possibly related to Khoja as well.

All Photos © Neal Jackson-All Rights Reserved
I just stumbled on this collage of photographs made by Neal Jackson during the Foundry Photojournalism Workshop (FPW) in Manali last June.

It appears that some the FPW instructors are fond of using their hands whilst conducting their classes....virtually the same gestures and mannerisms!

From the top left is Michael Robinson Chavez, top right is Ron Haviv, bottom right (in red) is Ami Vitale, and bottom left is Tewfic El-Sawy (The Travel Photographer). Click on it for a larger version.

The 2010 Foundry Photojournalism Workshop is scheduled for 20 – 26 June in Istanbul.

I saw that my list of Google Followers have now grown to 500! This list is distinct from my Twitter and Facebook followers and friends, or from my subscribers to my newsletters.

To commemorate this milestone, here's an introduction to the work of Karina Joseph, who is my 500th Google Follower.

Karina Joseph is a freelance photographer working in Mumbai, and from what I've seen of her excellent photographs on Flickr, specializes in commercial photography. She also does street photography, as can be seen in this following photograph.

Photo © Karina Joseph-All Rights Reserved
I will keep an eye on my Google Followers, and whenever possible I will post the work of every 100th follower.

I noticed that my list of Google Followers have now grown to over 600 people! This list is distinct from my Twitter and Facebook followers and/or friends, Feed subscribers* or from my subscribers to my newsletters.

To commemorate this milestone, I've chosen to feature the 602nd Google Follower whose name is Christina Saull, a photographer from Washington, DC based photographer who works on media relations for a health non-profit organization. She also authors another blog Life Through The Lens.

I'll be featuring the 700th (or so) Google Follower as well...so keep following The Travel Photographer!

*I've checked...I've got twice the number of feed subscribers of PDN...go figure!

For some reason, my earlier post on this got deleted...

So here it is again:

I thought a little trumpet blowing would be appropriate this Sunday morning...so here goes.

The Travel Photographer blog is ranked 1st when searching using Google for "The Travel Photographer" (it's sort of obvious, but it's still cool)...

Using Google, it ranks 2nd when searching for "Travel Photographer" which is really phenomenal.

And it ranks 4th when searching for "Travel Photography" which is really really phenomenal.

I also found out that the blog has over 1300 feed subscribers!

Photo © Guy Calaf-All Rights Reserved
Well, after a few days of intermittent internet service at our hotel in Kadikoy, Istanbul, it seems we're back to full time availability.

The Foundry Photojournalism Workshop has started in full blast, and it's amazing to see so many various nationalities amongst the students. Different languages different styles perhaps, but all connected by a common denominator: photography.

A splendid cast of instructors (some veterans of the workshop, others new), bringing their personal styles into the mix, and surely there'll be awesome projects and results. My class has met a couple of times already (n fact, I must rush to give my second class this morning), and projects range from documenting traditional religious rituals to the local hip-hop scene. So it's bound to be an exciting few days.

The above photograph was made while waiting for our ferry crossing from Eminonu (European side) to Kadikoy.