Photo © Dani Salva-All Rights Reserved
I can only guess that Dani Salva is a Spanish (possibly Catalan) photographer from his website, but there's no biography that I could find. It's a pity because I am sure that photo editors would like his work (they probably do already) but, except through his blog, he doesn't make it easy to know a little bit of him.

He has quite a few galleries and projects on his website, and while all of them are visually interesting, I can strongly recommend the one on Tibet's Kham, and the one in Bolivia...the Potosi Mines is also another gallery you want to drop by and see how the miners work in this nightmarish environment.

As is evident from the above image from Dani's Tibet's gallery, he's enamored with shadows, and likes contrast. I also liked his Tibetan vertical portraits...simple and effective.

Dani also features a number of photo essays and projects on his website, dealing with wines, olives, pork slaughtering, rice and shepherds.

Photo © Tewfic El-Sawy-All Rights Reserved
The answer? It depends.

This time, I'm not referring to visual plagiarism but to the imitation of style and copying of unimaginative itineraries in the travel photography tours/workshops industry.

Many travel photographers recently awoke to the fact that tours and workshops can add a little something to their bottom line (actually, big and small name photojournalists are doing it as well), and their offerings are all over the internet. Their target market is made up of working and non-working photographers, who seek to build an inventory of images, either to show friends and neighbors, enter and hopefully win competitions, or to sell as stock and to publications.

All this sounds lovely but regrettably, the disease currently afflicting photojournalism seems to have spread into travel photography as well. It's rather disconcerting to see a lack of imagination in many travel photography tours, a frequent "borrowing" of regular tourist itineraries, and the liberal sprinkling of the sentence "photo-shoot" and "wake up at dawn" and similar verbiage in the marketing blurbs, as if that's enough to give legitimacy to the notion that these trips are really tailored for photo enthusiasts.

As regular readers of this blog know, I've swatted off a number of attempts by established travel photographers to either flagrantly filch my itineraries (inclusive of hotel names) or to get a copy of my mailing list for my photo~expeditions, or to join that mailing list to get advance notice of my itineraries. Oh, yes...corporate espionage is alive and well in the travel photography workshop business, but that's par for the course.

Have I consciously imitated any other travel photographers as far as itineraries are concerned? Sure, I may have been inspired by some, but I always avoided cookie-cutter itineraries (excepting Bhutan, where these are based on annual festivals), and I consistently base my itineraries on what and where I want to photograph...not on what and where others want to photograph. And the formula works...with my expeditions often with long waiting lists.

Speaking of inspiration: 24 months ago, I introduced multimedia storytelling tutoring using Soundslides on my photo-expeditions, so I'm chuffed to see others have just started to offer it as well. Soundslides...not SlideShowPro, Final Cut Express or other software choices.

Dwindling viable opportunities, reduced prices for images, tougher competition and increased costs are the reasons many travel photographers cut corners, and look for guidance, inspiration and successful examples to emulate; and as a result, some cross the invisible line and become unimaginative imitators.

So back to my question. Is imitation flattery or buggery? It depends on how the one being imitated actually views it, and what is being copied. Some will consider it a rip-off...others -as I do- consider it the sincerest form of flattery.

You see, it's not buggery unless one is willing to be buggered...but let's also remember, taking without giving back is bad karma.

Photo © Kate Baumgartner-All Rights Reserved
Kate Baumgartner describes herself as an avid photographer, and that may well be an understatement.

Based in Hong Kong, she photographed to Cambodia, Burma, India, China, Namibia, Singapore, Sri Lanka and Vietnam...returning with splendid photographs, like the one above of the Cao Dai monks. Cao Dai is the relatively new, syncretist, monotheistic religion established in 1926 in Vietnam.

Take a look at Kate's gallery of photographs under the Religion category, and you'll find many of the different faiths and traditions of Asia, including the unusual rituals during the Thaipusam festival in Singapore, which is celebrated mostly by the Tamil community. On the day of the festival, devotees will shave their heads and undertake a pilgrimage during which some will engage in self-mortification by piercing their skin, tongue or cheeks with skewers.

India Khumbamela from SENSES on Vimeo.

Here's a movie by Spanish photographer Luciano Rodriguez Pena, made during a recent trip to India. It features two main events during the first three months of this year: Haridwar Kumbh Mela and Holi. I liked the colors (as befits a country such as India) and the tremendous energy which the movie imparts. I wish there was a different soundtrack to it, but the stills and the movie make up for that.

Luciano is a Nature & Travel photographer, and teaches digital photography in various photography schools in Madrid.

Holi is a festival of color and was recently celebrated all over India. It's an exuberant festival which aims at infusing fresh hope to people as it marks the end of the winter days and the start of summer. The Kumbh Mela in Haridwar is a three month-long bathing festival along the Ganges river which occurs every 12 years, and about 50 million Hindu devotees performing their prayers and washing away their sins in river's waters are expected in this holy city.

It runs in the family, as they say.

John Batdorff II is the son of two avid photographers, and it was only natural that he was "infected by" the same passion. Based in Chicago and in Ennis (Montana), John developed his craft early on by photographing for his family's newspaper, and enhanced it by specializing in landscape and travel photography.

His work has been exhibited in museums and featured in various publications.

While John's galleries include one of India, I'm bucking my own trend this time and featuring his work of Peru.

Photo © Steven Greaves-All Rights Reserved
American writer Mark Twain wrote:

"Benares is older than history, older than tradition, older even than legend, and looks twice as old as all of them put together."

Varanasi (Benares) or Kashi is one of the oldest continuously inhabited cities in the world and probably the oldest of India, and is one of the most sacred pilgrimage places for Hindus of all denominations. More than 1,000,000 pilgrims visit the city annually. For centuries, Hindus have come to Varanasi, the holy city on the Ganges, to attain instant moksha, or "release", at the moment of death.

Steven Greaves's galleries include Kashi, City of the Dead, and Kashi, City of the Living; both which I highly recommend.

Steven is a freelance photographer, who was born in the UK, but considers New York City as his home. With a formal education as a lawyer, Steven interned with VII Photo Agency, and his work was published by a number of international publications and displayed in New York City, Miami, London and New Orleans. His work is currently represented by Lonely Planet Images.

In a new series on Matador Network's Notebook which features periodic interviews with professional photographers, MatadorU faculty and travel photographer Lola Akinmade caught up with me to discuss my perspectives on travel photography, and my insights on the industry as well as on my photo~expeditions. You can also leave your comments if you wish.

Read the interview, in which I confide that

"it was almost like having two personalities; one being a “starched” banker during workdays, and a more relaxed personality befitting that of a travel photographer during the weekends."

I have a bunch of other interviews, which are listed under My Other Websites on the right.

Photo © Chris Blade-All Rights Reserved
Yes, I know. I'm being repetitively Omo Valley-centric this week...but I recently discovered a handful of photographers who produced lovely work from this area, and decided to string Omo Valley galleries one after the other. Once again, tea leaves readers (ie followers of my photo~expeditions) should not see anything in this.

Today, I feature the work of Chris Blade from Omo Valley, although his website also has galleries of the beautiful Ethiopian Simien Mountains, Lalibela and Gondar, and Axum.

Christopher Blade is a graduate from the Royal College of Art in London, and has advanced degrees in glass making and design. He manages the National Glass Centre in Sunderland. He designs and makes bespoke art glass often inspired from his extensive travels as a travel photographer. His travels have taken him to Ethiopia, Israel, Africa (he was invited by a British adventure travel company to photograph from Victoria Falls, Zimbabwe & through Botswana & the Okavango Delta, Mozambique, Swaziland, Lesotho to Cape Town), China, Nepal, Tibet, Mongolia and others. I'm glad he included a gallery titled Palestine...as it ought to be.

I liked his horizontal images on the Ethiopian galleries I've visited (some very nice ones of Lalibela, including interiors).

Here's another feature from the recent Kumbh Mela which was held earlier this year in Haridwar, North India.

This body of work by photographer Mark Thomas is titled Kumbh Mela 2010, and is mainly of portraits he made during that religious event.

Mark Thomas is a photojournalist and a multimedia expert, whose work appeared in various publications, including The Boston Globe and National Geographic News. He professes a deep passion for documenting and photographing India.

His Kumbh Mela 2010 gallery consists of portraits of naga babas, the ash-covered sadhus who belong to the Shaivite sect, as well as pilgrims.

Mark's website has other Indian-centric galleries such as Faces of Kashi, Visions of Kashi and Child Labor.

A worthwhile website to bookmark for Indiaphiles.

Photo Courtesy The Guardian -All Rights Reserved
I was saddened by reading an interview with Steve McCurry recently published in The Guardian in which he shares the news that he's preparing a project in which he would be taking portraits of 30 celebrities in their home cities: Robert De Niro and Martin Scorsese in New York, Amitabh Bachan in Mumbai. A sort of project that Annie Leibowitz would do...but Steve McCurry? C'mon!

I was also saddened to read that McCurry would be setting the shots, and choreographing the image-taking...the Leibowitz's style. While I'm told by various participants on his photo trips that he frequently stages scenes during his workshops, photographing celebrities requires a different type of discipline, and a different type of mind-set....and is not one hard core travel photographers would be stylistically and intellectually willing to do. Maybe I'm too idealistic?

Naturally, this project will be financially rewarding for McCurry and I wish him the best of luck with it....however, I can't help but feel a twinge of regret (and sadness, as I said twice already) that we are witnessing the dimming of a star.

After all, McCurry is one of the pioneers of travel photography and is an inspiration to many who follow his style....and to read of this new project is an uncomfortable reminder that things are changing in this industry, and that photographers (whether involved in travel, documentary and editorial) need to be sharp, varied and inventive. Resting on one's laurels is always a fatal mistake, and this is especially true in this tumultuous industry.

A photojournalist presented a body of work during the Foundry Workshop in Istanbul, but the consensus was that it was old and passe...and not relevant to the present day and age...photographers or photojournalists clinging to their past are like people breathlessly running after a Third World public bus on a pot-holed road, with young passengers hanging like a bunch of grapes from its doors and windows....and no available toe-holds in sight.

So let's be smart....let's learn multimedia, Final Cut, Adobe Premiere, Soundslides...audio techniques...learn DSLR videography....let's use Twitter & Facebook intelligently...do anything to find a toe-hold. If not, we'll be left inhaling exhaust fumes and waiting for celebrities to show up (if we're lucky).

Photo © Tom Wool-All Rights Reserved
The Rubin Museum of Art in New York City is showing the photographs of Tom Wool in an exhibition In The Shadow of Everest, which runs until July 26, 2010.

Coming from a fashion photography background, Tom Wool has devoted himself to work for humanitarian organizations. Using a medium format Hasselblad, he photographed Tibet's Rongbuk Valley and its inhabitants in May 2001.

The valley stretches about 30 miles from the base of Mount Everest on the north side, and is home to some 3,000 Tibetans. It's considered sacred, with deep religious connotations to the Tibetans. The valley is home to the Rongbuk Monastery, the highest of any in the world at 17,000 feet above sea level.

Photo © Ralph Childs-All Rights Reserved
Photo © Ralph Childs-All Rights Reserved
Although Ralph Childs participated in my photo~expedition to Bali in summer 2007, he's once again joining Bali: Island of Odalan Photo-Expedition™ which I'm organizing and leading this coming August.

Ralph is an active member of the Arlington Camera Club, and his photographs of a Balinese dancer and of a Pemangku (Balinese priest) have both won awards at this month's competition.

He has indulged in a passion for photography since the late 1960s when he took a Minolta ALs camera to France, and he has continued his passion since. Ralph has already been on four of my photo~expeditions, and this coming August will earn the fifth notch on his belt.

I was privileged to teach a class titled Introduction To Multimedia for the third straight year at this year's Foundry Photojournalism Workshop which was held in Istanbul June20-26.

As a couple of my class attendees are in the process of shopping their projects to publishers, I'm unable to publish them until they're made public by their creators. However, I am able to show an image from each project along with a description.

The attendees were Brenda Bravo, Pierre Claquin, Yagmar Dolkun, Pedro Gomes, David Hagerman, Jeroen de Kluiver, and Roubina Margossian.

1. Brenda Bravo: Kadikoy Underground Puppetry

Photo © Brenda Bravo -All Rights Reserved
Brenda's project documented an underground puppetry group in Kadikoy, from applying their make-up to walking in the streets performing to crowds. Apart from recording ambient sound of the performances, and of the street, Brenda also narrated the piece which was titled Kadikoy's Underground Puppetry. Her subjects attended the final show wearing the same make-up they use during their walk-abouts in Kadikoy.

2. Pierre Claquin: Leaves of Tolerance

Photo © Pierre Claquin -All Rights Reserved
Pierre's project was titled Leaves of Tolerance, and documented Nick Merdeyan (the self described Lord of the Leaves) who, from a small store in Istanbul's Grand Bazaar, produced artistic masterpieces of Islamic calligraphy on leaves, dried according to a proprietary process, and sold all over the world. Merdeyan, an Armenian Turk, narrated the piece showing his Islamic, Christian and Judaic motifs using Qur'anic script, underlining the similarity of the three Abrahamic traditions.

3. Yagmar Dolkun: Live Broadcast

Photo © Yagmar Dolkun -All Rights Reserved
Yagmar's project was on CNN-Turk, which took us into the back room of the television station before going live with a sports program. Yagmar chose to produce the piece in black & white without any narration, leaving the images tell the story, and relying on a mesmerizing music loop. The project can be seen by clicking here.

4. Pedro Gomes: Esmeray

Photo © Pedro Gomes -All Rights Reserved
Pedro's project documented Esmeray, a transgendered actor, a sex worker, a feminist, a Kurd and a home-keeper. Inspired by the NY Times' series One In 8 Million, Pedro interviewed Esmeray, and followed her through the day. He photographed during her theater perfromances, at a feminist meeting and later on at her home. Pedro's wife, Asli Maci, provided the excellent voice-over narration.

5. David Hagerman: The Ferry Boats of Istanbul

Photo © David Hagerman -All Rights Reserved
David chose to document the ferry boats of Istanbul as a symbol of this city. The ferries are part of the daily life for many Istanbullu, and beyond providing a commute alternative, also provide an escape from the daily tribulations of the city. A travelogue of sorts, David used ambient sound recorded on the ferries, the sound of their motors, the din of the passengers and a couple of short interviews.... one with a young man who claimed that "girls are like grains of sand".

6. Jeroen de Kluiver: The Alevi

Photo © Jeroen de Kluiver -All Rights Reserved
Jeroen documented the Alevi in black & white project. The Alevi are a religious sub-ethnic and cultural community in Turkey. Its tradition is related to Shi'a Islam and Bektasi Sufism, and its worship takes place in assembly houses rather than mosques. Jeroen photographed and recorded a ceremony known as cem, which features music and dance and during which both women and men participate.


7. Roubina Margossian: Symbolism In Religious Tradition

Photo © Roubina Margossian -All Rights Reserved
Roubina is one of the recipients of a scholarship to attend the Foundry Photojournalism Workshop. She produced an audio slideshow titled Symbolism in Religious Tradition, focusing on a religious service in an Armenian church. Narrated by Father John of the church, Roubina's fondness for photographs of reflections is evident in the project!

Here's another post on Matjaž Krivic's work. This time, it's Mali that he shares with us in this lovely audio-slideshow-movie (he calls it multivision...not a bad name.).

Matjaž just returned from an overland road trip from Slovenia to Nepal via Senegal (Dakar to Katmandu), which took him 13 months of living and photographing out of a 4x4 Nissan Patrol.

For 20 years, he globe-trotted the world capturing the personality and grandeur of indigenous people and places, and found the time to be awarded many prizes, and recognized in various venues and exhibitions. He traveled in Yemen, Mali, Tibet, North and West Africa, Iran, Mongolia, China, Nepal and India.

The spectacular music accompanying the slideshow is Dunya Salam ("world of peace") by the legendary Senegalese singer Baaba Maal. An excellent choice!

So choose full screen, turn up the volume of your speakers and enjoy the show!

Photograph © Kevin Bubriski-All Rights Reserved
Kevin Burbriski arrived in Nepal as a Peace Corps volunteer in 1975, and spent about 4 years working in remote villages. He returned in 1984 as a photographer, and with a 4” x 5” view camera, a Nepalese photographic assistant, and two porters, he traveled the length and breadth of the country for the better part of three years.

I mentioned Kevin Bubriski's work on this blog in connection with his exhibition at the Rubin Musuem in NYC, but I read (via PDN) that he was named the 2010-2011 Robert Gardner Visiting Artist Fellow at Harvard University’s Peabody Museum of Archaeology & Ethnology. The fellowship carries a $50,000 stipend and will allow the photographer-documentarian to continue his work in the northwest of Nepal.

His work is in the permanent collections of the Museum of Modern Art, The Metropolitan Museum of Art, and the International Center of Photography, all in New York; the San Francisco Museum of Modern Art; the Yale University Art Gallery, New Haven; the Center for Creative Photography, Tucson; and the Bibliotheque Nationale, Paris.

Kevin's website showcases his work from Venice, Pakistan, India, Morocco, Uzbekistan, Egypt and Nepal among other countries...but it's his work of Nepal that resonates the most with me.

Today I'm featuring the work of Darren Ornitz, who as a freelance photographer, traveled for 14 months in Africa and Asia including Zimbabwe, Ethiopia, Yemen and Oman.

Quite a number of photographs in Darren's East Africa gallery are of Lalibela, one of Ethiopia's holiest cities, and a center of pilgrimage for much of the country. The population of Lalibela is almost completely Ethiopian Orthodox Christian, and having spent a few days there photographing during the Epiphany celebrations, I can only describe it as "Biblical".

Part of the East Africa portfolio are some photographs of Zanzibar, and more specifically Stone Town. A UNESCO listed old city, Stone Town was David Livingstone's base when preparing for his final expedition in 1866. The above photograph is of Stone Town.

Darren studied at the S.I. Newhouse School of Public Communications at Syracuse until transferring to Fordham.

Photo © Chico Sanchez-All Rights Reserved
Here's another lovely audio slideshow by Chico Sanchez, a freelance photographer based in Mexico City. Chico worked in Venezuela, collaborating with Reuters, European Pressphoto Agency, Agencia EFE, and freelances for various newspapers and magazines.

The title of this audio slideshow is The Angel.

This time, Chico documents the spiritual side of Flamenco, whose mystical, almost religious origins, are almost forgotten by the admirers of this genre of music and dance. Chico is well placed to do so...he's a native Andalucian, a musician and was involved in flamenco himself.

I would have loved to see a flip book effect in Chico's work...various shots of a dancer (or singer for that matter)...and arranged in such a way that playing the slideshow would have animated these almost-identical stills.

The well-known flamenco style of music and dance is emblematic to the culture of Spain, although it is actually native to only one region: Andalusia.

Gypsy, Sephardic, and especially Arabic musical influences are found in flamenco. For me, one of the best flamenco singers is Diego Ramón Jiménez Salazar, known as El Cigala, whose album Lagrima Negas fusing Cuban rhythms and flamenco vocals, made it an international success.

Photo © Francesco Lastrucci-All Rights Reserved
Here's the work of Francesco Lastrucci, an Italian freelance photographer who specializes in editorial stories. He's currently based between Italy, New York and Hong Kong from where he works on projects involving Europe, Latin America and East Asia.

From Francesco's diverse editorial stories, including a story of the ubiquitous areca nut and betel leaf chewing in Taiwan (as indeed it is in many other Asian countries), and its marketing by beautiful young women, I chose his excellent work on Kashgar, the capital city of the Uyghur.

The Uyghur live in modern Xinjiang, the westernmost province of China, but the name Xinjiang is considered offensive by many Uyghur who prefer to use Uyghurstan or Eastern Turkestan. Kashgar is an oasis city with approximately 350,000 inhabitants, and its old city has been deemed overcrowded and unsafe for its residents, and will have at least 85% of its structures demolished. Demolitions have already begun, with many of its former denizens forced to move.

Kashgar’s old city has been called “the best-preserved example of a traditional Islamic city to be found anywhere in Central Asia, but it is now being razed by the Chinese government which plans to replace the old buildings with new.

Ian Lloyd is an Australian photographer who has undertaken commissions for magazines such as National Geographic, Time, Fortune, Gourmet and Conde Nast Traveler and multinational companies as diverse as ExxonMobil, Pepsi, Motorola and Singapore Airlines have commissioned Ian for commercial photography assignments. He has photographed 36 books on countries and regions around Asia including large format books on Kathmandu, Bali and Singapore and a four volume series on Australian wine regions.

You'll see from the Spirit of Asia video that it's a retrospective look at 20 years of his photography in Asia. Perhaps somewhat different from most of the travel photography I have featured here on The Travel Photographer blog, but certainly of high quality that we expect from photographers who work with the National Geographic.

Photo © Tony Smith-All Rights Reserved
Tony Smith is an adventurous Welsh photographer who, at the age of 15 joined a cargo ship to South America...and this is how his world travel started. He worked on ocean liners, and subsequently on dry land in Rhodesia (now Zimbabwe), Johannesburg in South Africa and London before settling down in Winchester.

He's been deeply involved in travel photography to the point it's developed into a second career. He tells us in his biography that nothing pleases him more than attending and photographing cultural and religious festivals: the more difficult and remote the better.

Tony is an Associate member of the prestigious Royal Photographic Society. His travels have taken him to Nepal, Bhutan, India, France, China, Spain, Morocco the USA and Canada as well as the West Coast of Ireland. He attended Hindu, Christian, Muslim, Buddhist and Gypsy events.

He has just returned from Haridwar in North India where he attended the Kumbh Mela, and produced a photo slideshow and a blog travelogue.

Tony also produced a number of slideshows of festuivals such as Holi, Gypsy Pilgrimage, Maha Shivratri (particularly recommended) and Feria de Bernabe, as well as others which are on his website.