Further to my post on microphones for the Canon 5D Mark II, and having decided to add one to my audio equipment, I walked over to B&H (see note below) today and bought the Audio-Technica ATR6250 Stereo Condenser Video/Recording Microphone.

This is an extremely affordable stereo microphone, and I thought it would be ideal for use either on my Canon 5D Mark II or with my Marantz audio recorder. It has a bunch of accessories, most of which I don't think I'll use, except for the hot shoe adapter.

In my earlier post, B&H recommended a couple of microphones such as the Rode VideoMic, Stereo VideoMic, and the Sennheiser MKE 400. The latter in particular seems to be quite popular with photographers, however it costs $200 whereas my new ATR6250 is only $32. I compared the specifications, and what I made of the differences were not enough to warrant the increased cost as far as I am concerned...except for the coiled cord (which the ATR doesn't have).

Naturally, I will continue to record audio with my Marantz PMD620, but use the microphone when I need to shoot video since the Canon 5D Mark II built-in microphone just doesn't cut it. I will post my impressions as soon as I can.

* I'm not affiliated with B&H in any way. The Audio-Technica ATR6250 is also available at many other stores, on-line and otherwise. I only mentioned B&H because that's where I got it.

Photo Courtesy WIRED-All Rights Reserved
I'm far from being a geek or remotely resembling one, but I still like gadgets provided they're useful and have a purpose...which brings me to the iPad.

Unless you're traveling in North Korea, you must've heard that Apple is launching its iPad in its stores this coming Saturday. I live not too far from its 14th Street store and I intend to walk by just to see the gawking crowds.

The New York Times' David Pogue has an interesting article (and well-balanced) titled Looking At The iPad From Two Angles which I found to be the most intelligent of whatever has been recently written about the device. He concludes the article with this:

"The bottom line is that the iPad has been designed and built by a bunch of perfectionists. If you like the concept, you’ll love the machine. The only question is: Do you like the concept? "

And that's the question. The iPad is really a "looker" not a "doer"...in other words, like its midget cousin the iTouch, it'll be mainly used as a reader, as a viewer of text, of website (minus Flash), of emails, of pictures, and so forth. Its success or failure is also dependent on the available applications, current and future, which I understand are close to 1500 in number already.

So far, I haven't seen any merits for photographers to get one. I read somewhere that an enterprising photographer will buy a few and, when asked for his portfolios, will send them out to his best clients instead of the old-style books. I'm quite certain that the iPad will be great in impressively displaying our images, but that's all.

Will it be fun to have an iPad? Of course, but will it be useful? I don't know. I'll wait and decide in another 6 months. Let others be the testers.

WIRED has a roundup on the first reviews of the iPad.

Photo © Some Hot-Shot Photog I Forgot The Name Of
Here's the exclusive opportunity that you've all been waiting for! I announce the "availability" of The Travel Photographer's Pouches which are for sale at the incredible price of only $89.99 a piece...or, if you're inclined to save, only $181.00 for two pouches. Yes, please do the math.

The pouches are (probably) made in China of rugged black canvas, and have two pockets. The Travel Photographer logo is embroidered in the trademark bright teal color, using the Arial font, and with a thread exclusive (possibly) to me. The logo was embroidered using the latest techniques in the lovely town of Oaxaca, using a cranky Japanese machine.

The cost? Well, I bought the pouch for about $5 at a nearby US Army Surplus store, and the embroidery cost under $2...so I figured that a profit of $83.00 a piece seems reasonable. Oh, and shipping is not included in the price.

As to availability; well...here's the thing. I would need to return to Oaxaca to have them embroidered. This may take a year or so.

As I said, these are exclusive and are really really worth waiting for.

Seriously speaking, I found these pouches to be ideal for extra lenses, small notebooks, an audio recorder and other paraphernalia I carry while shooting. And I prefer to use items that carry my brand name instead of products such as ThinkTank, LowePro, etc. If these companies paid me to carry (and advertise) their wares, it'd be different...but they don't.

I saw this posted on various blogs, and thought I'd add my two cents. It's the newly released Guardian Eyewitness app for the Apple iPad, shown off by photographer David Levene. I can't argue with the premise that it's gorgeous...but what does it bring to the table beyond what a laptop and/or netbook already does? The Guardian photographs can be appreciated on a laptop/netbook as well, no?

I have a Mac Book Pro and its display is equally gorgeous. I have a cheap Acer netbook, and its display is certainly not as great, but it's cheaper than the iPad, and it allows me to use all types of software, and fiddle with my photographs using Lightroom...infuriatingly slow perhaps, but it does, and iPad does not.

I frequently visit the Apple store in the Meatpacking district to play with the iPad (by the way, there are fewer tourists on the second floor, where iPads are also available).

As I've said before, I haven't seen anything to convince me that the iPad is a must-have for photographers...so until it does, and despite the Guardian's app and others like it, I'll wait and see what comes with the device's future iterations and new apps.

I thought I'd post this advert for the National Geographic camera bags because it was entirely shot with a Canon 7D. Johnnie Behiri is the photographer who produced it.

By the way, I just read that the producers of the Dr. House television series have shot a soon to be aired episode with the Canon 5D Mark II. Incredible!

Another gem I found on Gizmodo is a $6 do-it-yourself thingamajig that allows rack focus (aka follow focus). I'll drop by Home Depot and see if I can make one for my 5D Mark II. A video of a similar project is also here.

With a ATR6250 microphone affixed on my camera's hot shoe, and this home-made follow focus ring, I'll be schelpping quite a contraption.

The Canon's EOS 7D can be considered as an entry-level "professional" DSLR, positioned between the EOS 50D and EOS 5D Mark II, and I'm tempted by it because of its many still photography interesting features; one of which is its speed reaching 8 fps (for the first 16 frames) and an average 7.1 fps for 144 frames. This almost compares with the speed of the Canon 1D series dSLRs. More to follow on this topic.

Photo Courtesy Samson Audio
Ay...I hate innovation. Well, not really of course, but a new (and occasionally improved) gadget always turns up a few months after a purchase, and this is annoying. Why can't the stuff I buy stay fresh and on the cutting edge of things all the time?

I'm kidding...sort of. But here's the H1, a new handheld audio recorder from Samson Audio, which may not have the top of the range recording schemes, but is a handy portable stereo recorder at an unheard-of $99 price.

It's supposed to give you 10 hours of battery life on a single AA cell, and can accommodate up to 32GB of removable microSDHC storage. Its microphones are configured in an X/Y pattern for optimum stereo imaging.

At this price (and assuming its performance is as good as Samson claims), it'll be a hit for entry-level multimedia photographers, and perhaps many others. It's available on July 30th, so keep your eye on it if you're in the market for a low cost handheld recorder.

I've read Samson's blurb, but didn't find the accessory on the H1's list that allows it to be set on top of a DSLR's hot shoe as shown in the above photograph. The H1 has a tripod mount on its back, so this doodad connects it to the hot shoe.

The New York Times reports that Apple announced it had sold one million units of its iPads as of Friday last week, and that demand outstrips supply. Apple also said there were now 5,000 iPad-specific apps available for the device.

Macworld also published a first look review at Apple's $29 iPad Camera Connection Kit, which confirms that the device can upload and store RAW images (nef and cr2) but there isn't a way to edit these images as yet. The iPad generates JPEG versions of these files, and it's these that iPad users can email, create sideshows with, and edit with 3rd party applications.

I am not convinced this device is an accessory can serve photographers in its current iteration. Some photographers (mostly studio) perhaps will use it as a viewer during photo shoots, and wedding photographers are thinking of buying them instead of wedding albums to send to their clients...while others will use it instead of portfolio books to showcase their work to important clients.

Other than that, the bottom line is let's wait and see....there's no just meat on these bones for me.

Photo © Tewfic El-Sawy-All Rights Reserved
Photo © Tewfic EL-Sawy-All Rights Reserved
Here's a couple of "on-the-go" photographs made with my brand-new Panasonic GF1/20mm 1.7 lens on Bleecker street in NYC's West Village. There was a couple of garbage bags on the sidewalk which I had to frame out of the top photograph by chopping off the woman's shoes. The second is of a woman balancing 4 (actually 5, I think) lemonades and seemingly on collision course with another...it didn't happen.

I shot these with the GF1's Intelligent Auto mode on; essentially the "point & shoot" mode, which I'm using for a couple of days until I get used to its handling. The IA mode allows me to photograph in both RAW and jpeg. The images above are the jpeg versions (out of the camera), and were slightly sharpened with CS. Click on them for a larger size.

In my opinion, the GF1 is a hybrid between a point & shoot and a rangefinder, and is ideal to carry on photo walk-abouts. It's probably a camera that P&S shooters will consider as a step-up, while DSLR users will view it either as a backup or as a carry-around tool. The shutter lag isn't too bad...in fact, I didn't find it to be much of a problem. It's there, but it's not significant.

It still bothers me not having a viewfinder (a Panasonic EVF or Voigtlander OVF may be my next purchase) to look through, but perhaps I'll get used to it. One of the notable advantages of this camera is, when photographed, people don't seem fazed (or threatened) by it as compared to a DSLR.

I carry it on a hand strap, and I find that it doesn't nestle easily in my hand. Maybe I'll get used to it in a few days.

Am I in love with the GF1? Not yet...I like it, and getting used to it...but it's not love (yet).

Okay, I've now seen it, touched it and toyed with it for a while at the Apple store. Yes, it's beautifully designed, sleek and really cool...and I'd love to win it in a free contest (or something like that).

However, I don't see its necessity for photographers as yet. Photoshelter's blog recently posed the question as to whether the Apple iPad will revolutionize the way photos are presented and consumed? Various "pundits" responded, and I tend to agree with the views expounded by Stella Kramer, such as this one:

"From discussions I have had and demos I have seen, there is very little that excites me about translating the telling of stories onto the iPad."

I've seen that the iPad shows off photographs incredibly well, and the scrolling of web pages is intuitive and it's light and well designed, and it's...well, cool.

But being cool doesn't translate into it being a necessity nor a tool. Yes, there are some commercial photographers who will use their iPad instead of high end leather-bound portfolio books to show clients, and wedding photographer will certainly upload their work on iPads to give to their high-end clients (and build its cost in their invoice), but the rest of us into the story-telling business? Not much. Perhaps if we had $500-800 to spare and wanted a sleek platform (although the Mac Book Pro 13" display is phenomenal) to show off our photographs...

Redesigning many photography websites from being both Flash-based and iPad-ready may be a boon to web designers and website providers, but photographers can ill afford this additional expense at this time.

The iPad comes in three "flavors": 16GB, 32GB, or 64GB flash drive, so it may be useful to commercial and wedding photographers to have by their side on photo shoots, but other than that, I'm still scratching my head at its usefulness. Perhaps in the very near future, there will be really "must-have" applications ("apps") that will convert it from being a toy to being a tool, and while I completely agree that it's a harbinger of the future of internet browsing and more, it's not yet on my list.

It's been reported by a think-tank that 50% of all computers sold for children by 2015 will have touchscreens...perhaps touch is indeed the future, but until the iPad grows up from being a toy to a tool for photographers, I'll be happy to drop by the Apple store and just play with it whenever I feel like it.

Photo Courtesy Think Tank
I don't have any Think Tank products (except for its see through bag for cables and stuff), but I must say that it's one of the companies that seems to be in lock-step with the industry's evolution with multimedia.

Here is it's latest effort in the multimedia field which is the Multimedia DSLR Buyers Guide. It's essentially a fluff piece about various products that can be used by photographers as additional tools for story-telling purposes. While some of the information is pretty basic, I found it quite useful when I got to the Accessories and Wired It Up sections. Naturally, Think Tank also lists its various bags as "must-haves" in the guide, and deservedly so.

As readers of this blog know, I do not advertise products of any kind, unless I've tried and liked them. I haven't tried Think Tank bags but I like what it's doing with its product line. Otherwise, I have no relationship of any sort with it.

Having lost patience with Amazon's delivery system, and the fact that its delivery was now estimated to be between June 1 and June 14, I called yesterday and canceled my order. The customer service lady was extremely pleasant and nice, making me feel somewhat guilty for a while.

My guilt didn't last too long after I saw that Adorama had a Panasonic GF1 with a 20mm/F1.7 for $847 excluding NYC tax, but including some stuff like an 8 GB SD Sandisk memory card, a Lowepro carrying case (I much prefer my own pouches), a wonderful USB 2.0 SD card reader (like a memory stick), and a cleaning kit (of dubious use except for a nice lens brush).

I walked over to the store, got served by a lovely young woman (inexplicably wearing a scarf in NYC's heat) and had my new camera and accessories in under 10 minutes.

As with every camera and electronic gadgets I buy, I tried to work through the controls and settings without opening the manual. I got reasonably far, and was stumped a number of times, especially as I am used to a Canon "nomenclature". So I'll have to spend some time studying the manual after all.

I will soon test the GF1 and will post some of the street shots here. However, my first impressions holding it, shooting a few interior shots and so forth, gave me a sense that it's a solidly-built small camera. Not a point & shoot, not a rangefinder...but a hybrid in between the two.