St.Manchan's Shrine

‘The shrine of Manchan, of Maethail, was covered by Ruaidhri Ua Conchobhair, and an embroidering of gold was carried over it by him, in as good a style as a relic was ever covered’.

St Manchan's Shrine on display in the church at Boher

The small village of Boher in rural County Offaly holds one of Ireland’s real treasures, a breathtaking example of early medieval craft, design, ingenuity and religious practice. This is St. Manchan’s Shrine, thought to have once contained the remains of the saint himself. St. Manchan is said to have founded the monastery at Lemanaghan located nearby to Boher. He is thought to have originated in north-east Ulster, and originally served at the nearby famous monastery of Clonmacnoise before establishing his own foundation at Lemanaghan. St. Manchan died in 665 during the Mortalitas Magna, the Great Plague. His Feast Day is on 24th January. Our friends at Pilgrimage in Medieval Ireland have an excellent piece on Lemanaghan that is well worth reading, you can find it here https://pilgrimagemedievalireland.com/tag/st-manchans-shrine/

The shrine is thought to date to the twelfth century. It is quite possible that it was originally commissioned by the King of Connacht, Toirrdelbach Ua Conchobair, under whose patronage the similarly beautiful Cross of Cong had been commissioned. A reference in the Annals of the Four Masters for 1166 states that ‘The shrine of Manchan, of Maethail, was covered by Ruaidhri Ua Conchobhair , and an embroidering of gold was carried over it by him, in as good a style as a relic was ever covered’. Ruaidhri Ua Conchobhair was the son of Toirrdelbach, and inherited the Kingdom of Connacht and became High King of Ireland. Perhaps by redecorating and recovering the shrine he was establishing his own personal connection to the shrine, while reinforcing his father’s patrimony. The shrine is certainly a beautiful example of the patronage of Irish kings to the church.

The 'front' of the shrine

The 'rear' of the shrine

The shrine is made from yew wood, and in the shape of a gabled structure, not unlike a tent. Similar shaped stone shrines can be seen at churches of a similar date, like this example at Temple Cronan in the Burren of County Clare. The decorative elements of the shrine are of cast, gilt bronze, with interlaced beasts and snakes, and geometric designs featuring yellow and red enamels, and animal heads lead from the rings onto the shrine's border.

Detail of the figures

Detail of the figures

The front and back of the shrine are dominated by a large and ornate cross. The crosses would have been surrounded by up to fifty figures, though only eleven of those survive today, held in place with small copper pegs. These figures are represented in great detail, all are in loincloths or kilts (some of which are quite ornate) and they are bare-chested, displaying emaciated ribs, perhaps a representation of piety or sacrifice. Though we cannot say for certain who the figures represent, it is likely that they depict saints or key religious figures. One holds a small axe, that may be a symbol of his martyrdom or it may be a representation of the early Irish saint MacTáil , who was often depicted holding an adze (for more on MacTáil please see our free audioguide to the Kildare Monastic Trail). Another of the figures wears what appears to be a bishop’s mitre. Many of the figures have beards, some of which are forked, and they have short hair, in some cases with a centre parting. 

Tomás Ó Carragáin suggested that the shrine may have been modelled on the Ark of the Covenant, as described in the Old Testament. ‘Both the Ark and St. Manchan’s Shrine were constructed of wood overlain with decorative metal, and there can be little doubt that the supports at the corners of the shrine, and the pair of rings attached to them at each side, were designed to allude to the Ark ‘You will cast for gold rings for it and fix them to its four supports: two rings on one side and two rings on the other. You will also make shafts of acacia wood and overlay them with gold and pass the shafts through the rings on the side of the Ark, by which to carry it’. (Exodus 25:10–22). 

One of the rings on the shrine

Though none of the shafts have survived, it is possible to imagine the shrine being carried during processions or ceremonial occasions, like St. Manchan's Feast Day on January 24th. Perhaps four monks would have borne the shrine high on their shoulders, followed by the rest of the monastery, as they processed through the crowds of local worshippers and pilgrims. I wonder if it would have been a noisy, celebratory atmosphere, like some present-day processions in Cuba or other Latin countries, full of music and festival food. Or perhaps it was a more sombre and pious affair, with downcast eyes and solemn bells. 

Detail of the intricate decoration

One of the sides of the shrine

One of the sides of the shrine

In the seventeenth century, the shrine was taken to a chapel in the nearby village of Boher. St. Manchan’s Roman Catholic Church, in which the shrine is now displayed, was built in the 1860s. As well as the shrine, the church also has a number of stunning stained-glass windows, five of which are from the studio of the renowned artist Harry Clarke. These windows were ordered from Harry Clarke’s studio in 1930 at a cost of £320. Just one year later, Harry Clarke died at the very pinnacle of his career, aged 41. His unmistakable designs were the result of a painstaking process. After weeks of sketching and drafting the designs, he had the glass prepared with acid, etched and then painted in a wash of rich, vibrant colours that help to illuminate the interior of the church. One of his windows depicts St. Manchan standing above his shrine, which is beautifully represented by the artist. 

The shrine as depicted in the Harry Clarke window

This irreplaceable treasure was very nearly lost to the Irish people when it was stolen in 2012. Thankfully the Gardái recovered the shrine shortly afterwards and it was eventually returned to the church for display. 

The church at Boher is certainly worth a visit to see this remarkable shrine in the flesh. You can also see a replica of the shrine on display in the National Museum of Ireland, Archaeology on Kildare Street Dublin. 

The Roman Catholic Church of St.Manchan, Boher, County Offaly

Thank you for taking the time to visit our blog, and I really hope you find it helpful. If you'd like to support us please do consider downloading an audioguide from my website www.abartaheritage.ie, where we have a number of guides that tell the story of Irish heritage and the majority are absolutely free to download. 

If you’d like to keep up with daily images and information about Ireland’s fantastic heritage sites please consider following Abarta Heritage on Facebook, Twitter and Instagram. 

We visited the ancient stone row of Shantemon on the 2nd October 2015, the land was shrouded in thick mist and countless spiders had woven a tapestry of webs across every branch and tree. It was the perfect atmosphere to visit a 3,000 year old place of ritual and ceremony that is soaked in legend and folklore! 

The stone row at Shantemon consists of five stones aligned north-west – south east. They are graded in height, with the smallest at the north-western end (approximately 50cm [0.64 feet] tall) and the tallest at the south-east (approximately 2m [6.6 feet] tall). 

Though there is a significant number in Ulster, stone rows and alignments are more common in the south-west of Ireland, particularly in counties Cork and Kerry. They generally date to the Bronze Age, between 1700 – 800 BC, and are occasionally found in association with stone circles. They may have had an astronomical function, as, like the example at Shantemon, they tend to be sited on prominent slopes or hilltops, though unfortunately the true purpose for these enigmatic monuments remains unknown. Similar monuments are found across Britain as well as parts of Scandinavia, Brittany and northern France. 

This site is imbued with folklore and tales of the legendary warrior Fionn MacCumhaill. It is said that the four tall stones are Fionn’s fingers and the low stone his thumb, indeed the site is signposted ‘Finn’s Fingers’ .

Shantemon is less than a 15 minute drive from Cavan Town. To find Shantemon Stone Row from Cavan, take the R188 north through Drumalee Cross, and continue on this road for about 10 minutes, turning right at Coratober (the third right turn after you go under the N3). When you reach the crossroads, turn left and continue on this road until you see a small carpark on the left at 54.02054, -7.29423. Park here, opposite you will see a sign pointing up a track to Finn’s Fingers with interpretation of the ‘Castletara Millennium Trail’. Walk along the track for approximately 350m, where you will see a smaller, rougher track disappearing into the gorse on your right. Follow this track to the stone row. 

Thank you for taking the time to visit our blog, and I really hope you find it helpful. If you'd like to support us please do consider downloading an audioguide from my website www.abartaheritage.ie, where we have a number of guides that tell the story of Irish heritage and the majority are absolutely free to download. 

If you’d like to keep up with daily images and information about Ireland’s fantastic heritage sites please consider following Abarta Audioguides on Facebook, Twitter and Instagram.