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Located on the banks of the River Shannon in County Offaly, Clonmacnoise is one of Ireland’s most iconic historical sites. The monastery was originally founded by Saint Ciarán in the middle of the sixth century. Unlike many of the other early Irish saints who often came from privileged families, Ciarán was the son of a carpenter. Despite his humble origins, Ciarán soon gained a reputation for his intelligence and holiness. After completing his education, Ciarán became the founder of a small monastery on Hare Island in Lough Ree, before choosing the site of Clonmacnoise to establish another monastery. 

His choice of location at Clonmacnoise was incredibly shrewd. Though today it seems like a peaceful and somewhat isolated place, in the early medieval period Clonmacnoise was at the crossroads of the two major routeways of Ireland: the mighty River Shannon and the Slí Mór (meaning The Great Way) the roadway that traversed the country from east – west over the glacial eskers that offered easy passage over the wetlands and bogs of the midlands. Clonmacnoise was also situated on the borders of two of the great kingdoms of early medieval Ireland, Connacht to the west, and Mide (Meath) to the east, and the site prospered from its close relations to both of the ruling dynasties. 

Clonmacnoise from the River Shannon. The Shannon was a major routeway of  early medieval Ireland, and this view from the river would have been one familiar to the majority of pilgrims who visited the site. You can experience a river trip to Clonmacnoise by boat from Athlone. See http://www.vikingtoursireland.ie for more information.

The Cross of the Scriptures (a replica, the real one is in the visitor centre)

The earliest churches at Clonmacnoise would have initially been wooden constructions, known at the time as a dairtheach (Oak House), but as Clonmacnoise grew in power and prestige these were gradually replaced with grander buildings made from stone, often founded by Kings and nobles. In AD 909 King Flann commissioned the construction of the Cathedral and the beautiful high cross known as the Cross of the Scriptures. The cross now on display in the excellent visitor centre, bears an inscription marking the event. Not to be outdone, over the centuries more ruling dynasties like the O’Melaghlins (kings of Meath) commissioned churches at Clonmacnoise. The monastery grew wealthy as rulers and nobles clamoured to be buried within the same hallowed ground as Saint Ciarán, as it was believed that the saint would ensure entry into Heaven.

The Round Tower of Clonmacnoise known as O'Rourke's Tower, named in honour of its founder.

At its height the monastery was surrounded by a large bustling settlement, with markets, craftsmen, labourers and farm-workers. It would have been surrounded by one of early medieval Ireland's largest populations, outside of the Viking cities of Dublin, Waterford, Limerick and Cork. The growing wealth and reputation did not go unnoticed, and Clonmacnoise was raided a number of times through its history, mostly by warriors from rival Irish kingdoms like Munster, and in AD 842 and 845 by the Vikings. 

As the fortunes of the once mighty kingdoms of Meath and Connacht waned following the Norman invasions, Clonmacnoise too gradually declined over the centuries. The Normans left their mark on the site by constructing Clonmacnoise Castle to ensure they controlled the strategically important crossing point of the Shannon. Despite Clonmacnoise having a brief period of resurgence in the early seventeenth century, by the mid-1600s the site had been largely abandoned. Its isolation has left us with a wonderfully atmospheric site that is a fantastic place to explore. 

The round tower of Temple Finghin with the Shannon in the background

One of the cross-slabs on display in the Visitor Centre

Today Clonmacnoise is under the auspices of The Office of Public Works, and a visit to the site should be on everyone’s bucket list. Inside the visitor centre you can see the original high crosses, and a superb collection of graveslabs that give fascinating insights into life and death at Clonmacnoise. There are over 700 examples of cross slabs known to have associations with Clonmacnoise. The purpose of these slabs is thought to mark the burial place of a monk or holy man or person of prestige. The earliest slabs date to the seventh century and generally feature a simple cross design. Over the centuries, their designs develop and become more elaborate. The inscriptions on the slabs generally include the words 'poor', 'servant of', or 'tonsured one' which leads scholars to believe that the cross slabs generally mark the burial place of monks or other church figures. Other slabs feature the names of Kings and on one instance an inscription referred to ‘the most learned doctor’ so we can deduce that the slabs were also used to mark those of rank and prestige within medieval society. This cross-slab pictured here asks for: 

'A Prayer for Tuathal the Craftsman'.

When you have finished exploring the main site, don't forget to follow the Pilgrim's Path for approximately 400m or so to The Nun's Church. The Annals record that the Nun's Church was completed for Derbforgaill in 1167. It is located in a field to the east of the main monastic complex and is one of the finest examples of Hiberno-Romanesque architecture in Ireland. Serpents, plants, and highly stylised animal heads are all represented on the arches of the west portal and chancel arch. 

The beautiful Romanesque architecture of The Nun's Church.

For information about entry fees and opening times to the visitor centre please visit here. 

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All content & photographs © Neil Jackman /abartaheritage.ie

The beautiful 15th century north doorway into the Cathedral

St.Manchan's Shrine

‘The shrine of Manchan, of Maethail, was covered by Ruaidhri Ua Conchobhair, and an embroidering of gold was carried over it by him, in as good a style as a relic was ever covered’.

St Manchan's Shrine on display in the church at Boher

The small village of Boher in rural County Offaly holds one of Ireland’s real treasures, a breathtaking example of early medieval craft, design, ingenuity and religious practice. This is St. Manchan’s Shrine, thought to have once contained the remains of the saint himself. St. Manchan is said to have founded the monastery at Lemanaghan located nearby to Boher. He is thought to have originated in north-east Ulster, and originally served at the nearby famous monastery of Clonmacnoise before establishing his own foundation at Lemanaghan. St. Manchan died in 665 during the Mortalitas Magna, the Great Plague. His Feast Day is on 24th January. Our friends at Pilgrimage in Medieval Ireland have an excellent piece on Lemanaghan that is well worth reading, you can find it here https://pilgrimagemedievalireland.com/tag/st-manchans-shrine/

The shrine is thought to date to the twelfth century. It is quite possible that it was originally commissioned by the King of Connacht, Toirrdelbach Ua Conchobair, under whose patronage the similarly beautiful Cross of Cong had been commissioned. A reference in the Annals of the Four Masters for 1166 states that ‘The shrine of Manchan, of Maethail, was covered by Ruaidhri Ua Conchobhair , and an embroidering of gold was carried over it by him, in as good a style as a relic was ever covered’. Ruaidhri Ua Conchobhair was the son of Toirrdelbach, and inherited the Kingdom of Connacht and became High King of Ireland. Perhaps by redecorating and recovering the shrine he was establishing his own personal connection to the shrine, while reinforcing his father’s patrimony. The shrine is certainly a beautiful example of the patronage of Irish kings to the church.

The 'front' of the shrine

The 'rear' of the shrine

The shrine is made from yew wood, and in the shape of a gabled structure, not unlike a tent. Similar shaped stone shrines can be seen at churches of a similar date, like this example at Temple Cronan in the Burren of County Clare. The decorative elements of the shrine are of cast, gilt bronze, with interlaced beasts and snakes, and geometric designs featuring yellow and red enamels, and animal heads lead from the rings onto the shrine's border.

Detail of the figures

Detail of the figures

The front and back of the shrine are dominated by a large and ornate cross. The crosses would have been surrounded by up to fifty figures, though only eleven of those survive today, held in place with small copper pegs. These figures are represented in great detail, all are in loincloths or kilts (some of which are quite ornate) and they are bare-chested, displaying emaciated ribs, perhaps a representation of piety or sacrifice. Though we cannot say for certain who the figures represent, it is likely that they depict saints or key religious figures. One holds a small axe, that may be a symbol of his martyrdom or it may be a representation of the early Irish saint MacTáil , who was often depicted holding an adze (for more on MacTáil please see our free audioguide to the Kildare Monastic Trail). Another of the figures wears what appears to be a bishop’s mitre. Many of the figures have beards, some of which are forked, and they have short hair, in some cases with a centre parting. 

Tomás Ó Carragáin suggested that the shrine may have been modelled on the Ark of the Covenant, as described in the Old Testament. ‘Both the Ark and St. Manchan’s Shrine were constructed of wood overlain with decorative metal, and there can be little doubt that the supports at the corners of the shrine, and the pair of rings attached to them at each side, were designed to allude to the Ark ‘You will cast for gold rings for it and fix them to its four supports: two rings on one side and two rings on the other. You will also make shafts of acacia wood and overlay them with gold and pass the shafts through the rings on the side of the Ark, by which to carry it’. (Exodus 25:10–22). 

One of the rings on the shrine

Though none of the shafts have survived, it is possible to imagine the shrine being carried during processions or ceremonial occasions, like St. Manchan's Feast Day on January 24th. Perhaps four monks would have borne the shrine high on their shoulders, followed by the rest of the monastery, as they processed through the crowds of local worshippers and pilgrims. I wonder if it would have been a noisy, celebratory atmosphere, like some present-day processions in Cuba or other Latin countries, full of music and festival food. Or perhaps it was a more sombre and pious affair, with downcast eyes and solemn bells. 

Detail of the intricate decoration

One of the sides of the shrine

One of the sides of the shrine

In the seventeenth century, the shrine was taken to a chapel in the nearby village of Boher. St. Manchan’s Roman Catholic Church, in which the shrine is now displayed, was built in the 1860s. As well as the shrine, the church also has a number of stunning stained-glass windows, five of which are from the studio of the renowned artist Harry Clarke. These windows were ordered from Harry Clarke’s studio in 1930 at a cost of £320. Just one year later, Harry Clarke died at the very pinnacle of his career, aged 41. His unmistakable designs were the result of a painstaking process. After weeks of sketching and drafting the designs, he had the glass prepared with acid, etched and then painted in a wash of rich, vibrant colours that help to illuminate the interior of the church. One of his windows depicts St. Manchan standing above his shrine, which is beautifully represented by the artist. 

The shrine as depicted in the Harry Clarke window

This irreplaceable treasure was very nearly lost to the Irish people when it was stolen in 2012. Thankfully the Gardái recovered the shrine shortly afterwards and it was eventually returned to the church for display. 

The church at Boher is certainly worth a visit to see this remarkable shrine in the flesh. You can also see a replica of the shrine on display in the National Museum of Ireland, Archaeology on Kildare Street Dublin. 

The Roman Catholic Church of St.Manchan, Boher, County Offaly

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This is Lough Boora in County Offaly, the location of one of the most important Mesolithic sites in Ireland. Mesolithic means ‘middle stone age’ and this period covers between 8000 – 4500 BC, the time of the first human settlement in Ireland. These people often survived as semi-nomadic hunter gatherers, staying close to the coastal areas, rivers or lakes. The earliest settlement evidence in Ireland from this period was discovered alongside the River Bann at Mount Sandel in Co. Derry, where the remains of several small structures and activity dating to 7000 BC was discovered.

The site at Lough Boora was discovered in 1977, when a turf cutter found what he thought was an ancient road surface. He alerted the National Museum of Ireland, who investigated the site and found that instead of an ancient roadway they had actually discovered a storm beach on the edge of a massive post-glacial lake. This large lake originally would have been connected to the River Shannon, however over thousands of years bog formed and covered the area, all that remains of that lake today is the much smaller modern Lough Boora lake.

The Lough Boora Pyramid 2002, modern sculpture by Eileen MacDonagh and Marc Wouthers

The excavations also discovered a number of charcoal patches that were identified as the remains of hearths that were dated to between 6,800 – 6,500 BC, and over 1,500 artefacts such as stone axeheads, spear points, blades made of a flint-like material called chert and the remains of meals eaten nearly 9,000 years ago such as the burnt bones of wild pig, wildfowl and fish, suggesting that this site was the temporary campsite of a band of hunters. They probably used this area seasonally to hunt wild pig, wildfowl and other small animals. By today’s standards these Mesolithic men and women would have enjoyed a very healthy and varied diet that was dictated by the seasonal availability of fish, meat, wild plants, nuts and berries.

Today the site at Lough Boora has been completely excavated and there is no trace of the Mesolithic people that walked along this ancient storm beach or who sought shelter from summer winds and rain. However, you can walk in the footsteps of these ancient peoples as the area where the site was discovered is part of a great walk called The Mesolithic Loop, where not only will you encounter information about some of Ireland's earliest human activity, but also contemporary and striking works of art. A great, inexpensive day out and highly recommended! For more information about biodiversity activities and information on the various walks at Lough Boora visit: www.loughbooraparklands.com

The 'Skytrain' another wonderfully weird piece of modern sculpture to see at Lough Boora